An analysis of the changes of the situation of women in three cuban films

female cuban revolutionaries

These results certainly seem to suggest a nostalgic imaginary anchored in the moments when a new national film industry was being created simultaneously with the new life fostered by the triumphant Revolution in the social arena. Lucia Adela Legra……….

She is turned into an object of the male gaze of the camera, lying naked on the bed on the morning after, while he rushes off to college. The visceral aspirations of the most controversial and keen Cuban films since and over five decades stem from the purposes outlined in the Minutes of the Foundation of ICAIC, which stated that: Cinema represents, by virtue of its characteristics, an instrument of opinion and formation of individual and collective consciousness [ Two years after the premiere of Memorias del subdesarrollo inadding to a major setback in the economic history of the Revolution the failure of the 10 million sugar harvest, which would have meant an important guarantee of greater political independence and improvements in living standardsICAIC was unable to produce at least one fiction feature film.

These changes in post-Revolutionary Cuban politics of the late 80s led to a form of rapid modernization of Cuba, which subsequently had an impact on the psychosexual effects of social and economic change on men and women. Gilbert, Sandra M.

An analysis of the changes of the situation of women in three cuban films

Received on 26 November and accepted on 4 December The Cuban Image. It is worth noting that female invisibility is always in the male gaze. They had all previously worked in documentary or feature film production before, and the result of their undertaking, was the composite film Mujer Transparente. Doane, Mary Anne. The quality of a film and the development policy of a cultural institution had never been so strongly challenged in Cuba. Mayra Segura 20Adriana isdirected by Mayra Segura and is the compelling portrait of an old woman, haunted by regret at having been controlled and isolated in her youth, and the solitude and emptiness of her life as a result. He is dressed in a tight-fitting t-shirt with rigid, vertical lines which might be a reference to the inflexible traditional values of patriarchy he embodies. Donelan, Catherine. The third Lucia Adela Legra is a stunning young field worker—as robust as the last Lucia was frail.

In his film, Crespo depicts a young girl who goes against all the traditional social norms. Narration and discourse are dominated by the desire to present a frank and subtle argument against the dogmatism and extremism represented by the Church and the Spanish metropolis, both allied to a government that enforces stifling laws against individual initiative tradeand condemns as heretic all that means exchange with the world, open views and transformative creativity for the benefit of the individual.

Such paradigms have become deeply entrenched in the collective psyche, often acting as distorting prisms through which cultural and film analyses have been made. The lapse that connects the s to the s relates to a very modest weakening in the constant tensions between the Cuban and U.

Fresa y chocolate presented the very sensitive theme of emigration to the public for the first time and earned much-deserved success.

Important women in cuban history

Daft about each other, they're unable to separate or to agree about her way of life, and as the movie ends they are still fighting between embraces The whole picture stresses that—although many women haven't yet won the most ordinary kinds of freedom—the present is far superior to the past I wish that "Lucia, Feminist Film Theory. In a separate category, twelve out of the fifteen most significant documentary films were made in the 60s, one in , one in , and only one after Suite Habana, The weaknesses are the images of corruption an unconvincing orgy and the fact that the revolutionary's character is inadequately developed. Film has traditionally been a masculine genre, with male characters assuming positions of authority and power deemed appropriate to the male gender. The name of the radio station contributes to the theme of the passing of time. Since so many men are being killed off, she doubts that she'll ever marry. This is so clear that the film that best represents the prevailing atmosphere in those years is Papeles secundarios , Orlando Rojas , which depicts the fight among various actresses for the best roles in the play Requiem por Yarini, in a metaphorical allusion to a claustrophobic underworld of betrayals and hypocrisies, penances and absolutism. The women have been directed to flutter and squeal until they appear like a parody of winsome maidenhood. Even the emblem of the revolution, the ICAIC newscast, disappeared in because it could not acquire raw film or pay for the costs of developing film and post-production work.

The film was understood as an instrument for showing experience, seeking innovation, discovering new paths and venturing to tread them. Cinema Studies: The Key Concepts.

cuban cinema

They had all previously worked in documentary or feature film production before, and the result of their undertaking, was the composite film Mujer Transparente.

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Redefining Gender in Revolutionary Cuban Cinema